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Mattheus Terwesten (the Hague, 1670 - 1757), Young Woman As Allegory Of The
Mattheus Terwesten (the Hague, 1670 - 1757), Young Woman As Allegory Of The - Paintings & Drawings Style Louis XIV Mattheus Terwesten (the Hague, 1670 - 1757), Young Woman As Allegory Of The - Mattheus Terwesten (the Hague, 1670 - 1757), Young Woman As Allegory Of The - Louis XIV Antiquités - Mattheus Terwesten (the Hague, 1670 - 1757), Young Woman As Allegory Of The
Ref : 109700
9 500 €
Period :
17th century
Provenance :
Italy
Medium :
Oil on canvas
Dimensions :
l. 42.13 inch X H. 30.71 inch
Paintings & Drawings  - Mattheus Terwesten (the Hague, 1670 - 1757), Young Woman As Allegory Of The 17th century - Mattheus Terwesten (the Hague, 1670 - 1757), Young Woman As Allegory Of The Louis XIV - Mattheus Terwesten (the Hague, 1670 - 1757), Young Woman As Allegory Of The Antiquités - Mattheus Terwesten (the Hague, 1670 - 1757), Young Woman As Allegory Of The
Antichità Castelbarco

Old master paintings


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Mattheus Terwesten (the Hague, 1670 - 1757), Young Woman As Allegory Of The

Mattheus Terwesten (The Hague, 1670 - 1757)
Portrait of a young woman with palette and brushes, as Allegory of the art of Painting

Oil on canvas
160 x 91 cm. - In frame 178 x 107 cm.

This splendid, striking painting shows us a fascinating female figure portrayed full-length and life-size, a young girl easily identifiable as an allegory of the Art of Painting.

A bunch of paintbrushes she clutches in her hands and her palette are the symbols that allude to her role as the personification of the noble art of painting, together with the large canvas at her side.

The charming woman, wearing a dress whose play of transparencies allows a glimpse of her breasts, appears accomplished in her delicate femininity but at the same time solid and monumental.

Her gaze is lost, turned towards the observer, and her facial features are enhanced by the light that softly highlights her delicate complexion, giving her, together with the deep red drapery that encircles her body, an air of suspended and seductive charm.

Analysis of the canvas allows us to attribute it to the hand of Mattheus Terwesten (The Hague 1670 - 1757), a painter of Flemish origin but who, thanks to his travels in Italy, between Rome (1675 - 1677) and Venice, developed the salient features of his painting by studying the works of Veronese and Tintoretto.

The composition is indebted to Venetian painting, both in terms of subject matter (Titian and Veronese repeatedly depicted female figures of an allegorical nature) and style.

His compositional clarity, imbued with lightness and grace, combined with his attention to light and the luminous chromatic elegance that invests the figure, are in fact elements that particularly characterise his early work, and which we find in our portrait.

We can make convincing comparisons with some of Terwesten's works
- Mattheus Terwesten, Allegory of Freedom, dated 1701, Rijksmuseum

- Mattheus Terwesten, Allegory of Peace, Koninklijk Kabinet van Schilderijen Mauritshuis 
- Mattheus Terwesten, Allegory of Peace, Private collection 
- Mattheus Terwesten, Allegory of Peace, Museum Vlaardingen, 
- Augustinus und Mattheus Terwesten, Dido auf dem Thron mit Dienerschaft, Museum de Fundatie 

Delevery information :

We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers.

We take great care We personally take care of the packaging, to which we devote a great deal of care: each work is carefully packed, first with arti- cle material, then with a custom-made wooden box.

Should you have the desire to see this or other works in person, we would be happy to welcome you to our gallery in Riva del Garda, Viale Giuseppe Canella 18, we are always open by appointment only.

Antichità Castelbarco

CATALOGUE

17th Century Oil Painting Louis XIV